Songbooks: The Literature of American Popular Music

"Songbooks, a critical guide to American popular music writing, unfolds chronologically, with entries on authors, artists, and topics beginning with William Billings's 1770 New-England Psalm-Singer. Outsiders proliferate in these pages: women and/or writers of color, authors displaced by sexuality, self-educated scholars, elites deviating from norms. Their work routinely took non-academic shapes: compilations of songs, memoirs and biographies, fiction and magazine essays. Others fought within the academyto establish fields like ethnomusicology and jazz studies. Drawing on his background as a Village Voice music critic and as the longtime organizer of the Pop Conference, Eric Weisbard offers an important corrective to a fragmented field"--
In Songbooks veteran music critic and popular music scholar Eric Weisbard offers a critical guide to American popular music writing, from William Billings's 1770 New-England-Psalm-Singer to Jay-Z's 2010 memoir Decoded.
In Songbooks, critic and scholar Eric Weisbard offers a critical guide to books on American popular music from William Billings's 1770 New-England Psalm-Singer to Jay-Z's 2010 memoir Decoded. Drawing on his background editing the Village Voice music section, coediting the Journal of Popular Music Studies, and organizing the Pop Conference, Weisbard connects American music writing from memoirs, biographies, and song compilations to blues novels, magazine essays, and academic studies. The authors of these works are as diverse as the music itself: women, people of color, queer writers, self-educated scholars, poets, musicians, and elites discarding their social norms. Whether analyzing books on Louis Armstrong, the Beatles, and Madonna; the novels of Theodore Dreiser, Gayl Jones, and Jennifer Egan; or varying takes on blackface minstrelsy, Weisbard charts an alternative history of American music as told through its writing. As Weisbard demonstrates, the most enduring work pursues questions that linger across time period and genre&;cultural studies in the form of notes on the fly, on sounds that never cease to change meaning.