Chican@ Artivistas: Music, Community, and Transborder Tactics in East Los Angeles

"Gonzalez's manuscript uses the theoretical underpinnings of Chicana and African-American feminist intellectual history and epistemology to create a new understanding of the work done by Chicana artists and activists (or artivistas) from East Los Angelesfrom 1995 to the present. Gonzalez is a well-known musician from this community herself and, with this background, is especially focused on the ways the arts, particularly music, have created community engagement. Gonzalez blends her own story as a Mexican immigrant's daughter in California who went on to become a Grammy Award-winning musician (as part of the band Quetzal) into her work as an activist and her career as a scholar"--
As the lead singer of the Grammy Award–winning rock band Quetzal and a scholar of Chicana/o and Latina/o studies, Martha Gonzalez is uniquely positioned to articulate the ways in which creative expression can serve the dual roles of political commentary and community building. Drawing on postcolonial, Chicana, black feminist, and performance theories, Chican@ Artivistas explores the visual, musical, and performance art produced in East Los Angeles since the inception of NAFTA and the subsequent anti-immigration rhetoric of the 1990s.Showcasing the social impact made by key artist-activists on their communities and on the mainstream art world and music industry, Gonzalez charts the evolution of a now-canonical body of work that took its inspiration from the Zapatista movement, particularly its masked indigenous participants, and that responded to efforts to impose systems of labor exploitation and social subjugation. Incorporating Gonzalez’s memories of the Mexican nationalist music of her childhood and her band’s journey to Chiapas, the book captures the mobilizing music, poetry, dance, and art that emerged in pre-gentrification corners of downtown Los Angeles and that went on to inspire flourishing networks of bold, innovative artivistas.