"In the 1980s, a teenage girl terrorizes the Sicilian town of Gela. Tina's father was in Cosa Nostra and was brutally shot dead in front of her when she was just eight; after that, she made it her mission in life to join the mafia, although women are traditionally not allowed in. Nicknamed 'a masculidda, or "the tomboy," Tina is notorious through Gela for her recklessness, cruelty, and complete disregard for societal expectations. When a news article is published about Tina's latest crimes, an unnamed teacher living in Rome feels compelled to write a novel about her-even though it means returning to her home island of Sicily to gather material. She and Tina circle around each other in a hypnotic, dangerous dance of obsession and violence until their first, and last, explosive meeting. In this ruminative, literary exploration of what it means to live in the mafia's dark shadow, the narrator's observations and interactions are counterposed against recollections of Tina's life as she grows up from a child into a soldier of the mafia, shedding gender constraints along the way. Based closely on Maria Rosa Cutrufelli's experiences as a Sicilian and on the true case of a teenage girl who became a mafia soldier, Song to the Desert is a powerful work of autofiction whose original Italian publication was a watershed moment for Italian crime fiction, as it shed a light on a corner of mafia literature that had previously gone unexplored: the role of women in the mafia, and the impact that the mafia has on women and girls"--
Notorious for her cruelty and reckless disregard for societal expectations, gender-bending mafiosa Tina, after her latest crimes are published, becomes the subject of a writer, leading to obsession and violence until their first, and last, explosive meeting.
A classic of Italian feminist mafia literature about a gender-bending mafiosa and the writer who becomes obsessed with telling her storySicily, 1980s: When she was just eight years old, Tina watched as her father, a member of Cosa Nostra, was murdered in cold blood. Now a teenager, she terrorizes her hometown of Gela, having made it her mission to join the mafia, an organization traditionally forbidden to women as made members. Nicknamed ’a masculidda, or “the tomboy,” Tina has taken charge of her own clan, and is notorious for her cruelty and reckless disregard for societal expectations. When a news article is published about Tina’s latest crimes, a teacher living in Rome feels compelled to write a novel about her—even though it means returning to her native Sicily to gather material. She and Tina circle around each other in a dangerous dance of obsession and violence until their first, and last, explosive meeting. This groundbreaking exploration of gender identity and clear-eyed presentation of an unseen side of the mafia is a landmark literary achievement by one of Italy’s feminist icons.